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Paul weller wiltern
Paul weller wiltern





paul weller wiltern

Weller stayed behind the keyboard for “Broken Stones” on which he gave a nice vocal performance backed by Cradock’s stellar guitar work. Weller went behind the keyboard and Pilgrim temporarily switched to acoustic guitar for a nice performance of “The Cranes Are Back” that Weller dedicated to those lost on Sunday night in the Las Vegas concert massacre. The first song of the night from The Jam made its appearance with an amazing and very tight performance of “Start!” that featured outstanding drumming from Pilgrim. The crowd continued to cheer loudly as the band left the stage.Īfter a brief interval, Weller and company returned to the stage with a version of “These City Streets” that had a nice groove and highlighted the work of Van Heel and Cradock. The main set came to an absolutely incendiary conclusion with a ferocious performance of “Whirlpool’s End” on which the audience participated eagerly, voicing the “sha la la” vocal part with a full-throated roar. An intense “Peacock Suit” featured quite demonstrative playing by Weller and Cradock on guitars and Pilgrim on drums.

paul weller wiltern

It had a very heavy ending that elicited roars from the crowd. An extended “Porcelain Gods” spotlighted Weller’s soulful vocal and tight playing by the band. The crowd gave loud cheers to the performance of “Friday Street” on which the band gave an outstanding performance. Crofts’ bass provided the backbone for “She Moves With The Fayre” that featured Weller on Telecaster and with an echo effect on his vocal.







Paul weller wiltern